Monthly Archive for November, 2008

Christmas Trees: Live from Kentucky!

Take care where you plant your trees ... They do grow to be monsters.  This white pine provides mulch for acid-loving rhododendrons and azaleas.

Take care where you plant your trees ... They do grow to be monsters. This white pine provides mulch for acid-loving rhododendrons and azaleas.

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There’s a feeling of reaching a time barrier as winter approaches, that gardeners know all too well.  We clear out old rubble from the summer’s vegetable garden, and rake up the leaves fallen from the trees, then retreat indoors to stare longingly out our windows into the early darkness.  It’s like the warning inscribed next to sea-monsters drawn at the edge of ancient maps: Beyond here, there be dragons.  What’s next?

For me, one comforting ray of hope between Thanksgiving and the arrival of new garden catalogs in January is the presence of a holiday tree in my living room.  That tradition carried throughout the ages makes visceral sense.  Fragrant, supple branches adorned with tiny lights that cast fir needle shadows on the ceiling and walls are a connection to the natural world left outside in the cold.  I’m reminded of the furs - or is it firs? - in the closet through which children enter Narnia in C.S. Lewis’ The Lion, the Witch and the Wardrobe, and of Robert Frost’s Stopping by Woods on a Snowy Evening:  ” … The only other sound’s the sweep Of easy wind and downy flake.  The woods are lovely, dark and deep …”   As a child, I once tried to check out the view from inside our family’s Christmas tree by climbing in, then turning to face out through the branches.  It fell over.  No elves rescued me, just one very angry mother.  But that didn’t matter: I’d been embraced by Mother Nature.  Now, I only try hugging well-rooted trees. 

 

 

 

So, I choose a real evergreen every year.  It does me good to get out in the fields and find a perfect specimen to bring home.  Fresh air, and a little exercise.  I’m acquainted with some of the local farmers who grow Christmas trees, and value their stewardship and sustainable use of the land.  Not only do I want to support local commerce, but also prefer to see trees growing instead of new buildings sprouting up.  It’s one of the best possible land uses I can think of. Tree farms don’t just cut trees from their lots, they also maintain them by replanting.  I like the idea that live trees replenish oxygen, remove airborne pollutants, sequester carbon, reduce soil erosion, and provide habitat for wildlife.  

Getting a freshly-cut local tree limits shipping fuel consumption, as well as ensures that trees haven’t dried out in transit.  The LFUCG Waste Management collects trees after the holidays, and recycles them into mulch to give away.  Live trees, with roots balled for later planting, can be kept watered indoors during December, then planted outside in the yard; if you’re going to do that, dig a hole soon, before the ground freezes.  There is also a program called Operation Rescue Tannenbaum, through which you can donate live trees to the city; they’ll plant them in public greenspaces; see www.lfucg.com/streets/forestry.asp for more information.

Where can you find local tree farms?  Harriett Hendren has put together a great listing of Bluegrass tree farms in the Inside/Out at www.kentucky.com/150/story/609575.html.  The Kentucky Christmas Tree Association Web site, www.kychristmastreefarms.com, also carries a map and member contact information.  Another popular local site is www.kychristmastree.com.  Finally, if you’re wondering where the official Kentucky state Christmas Tree came from, the 40-foot Norway Spruce was grown right here in Lexington; it had to be cut down because it had grown too large for the home next to it.  There will be a lighting ceremony on December 6th.  Check out the entire story from the State-Journal at www.state-journal.com/news/article/4475624.

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Antiques & Collectibles: Gettin’ Some Culture

Just when icy weather in the garden this week made it more pleasant to investigate warmer and more welcoming indoor realms, images from two ends of a spectrum ended up lying juxtaposed on my desk.  After the recent Presidental election and with excitement mounting about the impending Inauguration in January,  I was mulling over the world of possibilities for investigating ideas about decorating with antiques and collectibles, with a twist of American history.   And there,  side by side on the desk, were Lil’ Kim and George Washington, staring at me from two different worlds yet oddly similar, and begging for comparison and contrast.   

Washington’s portrait, General George Washington at Trenton, painted in 1792 by American artist John Trumbull, is part of an exhibit currently at Louisville’s Speed Museum (www.speedmuseum.org) entitled “Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery”, which will be on display until January 4th, 2009.  I’d been looking at the brocure given to me by a friend who recommended going.  The exhibit contains a wealth of not only paintings but pottery, furniture and metalwork items from Yale’s collection of art and artifacts spanning the American experience through the late 1800s.   

The cover art on the new book DEFinition: the Art and Design of Hip-Hop by Cey Adams with Bill Adler (HarperCollins Publishers; Collins|Design, 188 pages, $29.95) is left unmarred by the addition of a removable title strip wrapping the rapper; entitled Lust, it’s the 2005 creation of artist Mike Thompson, noted for his ad-work for Infiniti and Coca-Cola, and who has been called a modern-day Norman Rockwell; to see what I mean, check out his portrait of President-elect Barack Obama and others at http://www.miketartworks.com/BetaSite/MikeTArtworks.html.  Whether you’re a fan of Rap and Hip-Hop, or completely befuddled by this currently evolving culture, DEFinition will put together a review of about the last 30 years of its music, personalities, advertising, tags, clothing and art so that your perspective is enriched.  Oddly enough, titles like “Class, Race and Conflict” and “Ambition and Display” from the Yale exhibit brochure apply here as well; platinum records and rides display riches, and allusions to race are self-evident.  It’s difficult to see just which artifacts from this contemporary collection will survive to be displayed in museums 200 years from now, but one thing is certain: “The Making of a Nation” is still a work in progress.

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A-Bloomin’ Surprise: Witch Hazel

Witch Hazel bears seed pods and flowers at the same time.

Native Witch Hazel, Hamamelis virginiana, in bloom.

 Just as branches lose their hold and let leaves fall, our native Witch Hazel begins to bloom.  At first, the small clusters of fragrant golden flowers are hard to see among all the yellow foliage, but then suddenly the branches of this understory bush are bare, and the flowers pop into view.  The tiny, elongated crinkly crepe-paper petals grouped along the branches are a surprise in late fall and early winter, even when you expect to see them year after year.   I found one blooming just this week in plantsman John Mickler’s yard. (www.michlers.com)   Look around, and you may discover one, too.  Or better yet, plant one in your own garden.

Witch hazels are a forest-edge kind of plant, enjoying a bit of cover, and also a good supply of water.  The fruits take a year to develop seeds, so that there are actually flowers and seed pods on the tree at the same time.  The pods then burst open in fall, forcibly shooting seeds out of the capsules to distribute them.   Cross-breeding with other Witch Hazels from China and Japan has produced an array of interesting landscape shrubs with a range of bloom colors, but which appear in late winter. 

Named for their leaves’ resemblance to those of hazel trees, and their pliant, “s-witch” like branches, witch hazels have been used for dousing rods, as well as a naturally astringent lotion ingredient in products ranging from hemorrhoidal preparations to face creams like Pond’s, which began using the extract in the mid-1800s.

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